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Moryarty

Das kleine Witzblatt Poster

Das kleine Witzblatt Poster

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Das kleine Witzblatt (1901) by Julius Klinger

Bring home early modern flair with Klinger's witty breakthrough poster, whose daring silhouette and vivid orange accents helped redefine Berlin advertising, adding graphic sophistication, playful character, and a refined vintage spirit that instantly energizes a living room, hallway, or study.

Our posters are printed on thick (230gsm) acid-free matte art paper, using a long-lasting UV-resistant ink. We also offer the option of printing on textured canvas (300gsm), more flexible and resistant. Our frames are made of either light and resistant aluminium, or solid wood. More details in our FAQ

Ref : PUB380

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  • "Very nice Posters. The quality is amazing and we received it very quickly !"

  • "A shop to visit absolutely. Huge selection of posters. We spent more than an hour there !"

  • "Perfect to find gift. Price are very good. An they can frame and pack it on site"

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About the Artist

Julius Klinger brings the discipline of early Berlin advertising to Das kleine Witzblatt, a vertical poster that turns a magazine cover into street-level persuasion. Trained in Vienna and active in the German poster scene, he favored bold simplification and sharp timing, the qualities that made his commercial art so readable from across a kiosk. Here the artist frames the publication title as part of the joke, using the print to sell wit before the paper is even opened.

The Artwork

Das kleine Witzblatt was a Berlin satirical weekly, and this 1901 advertising poster gave it a public face at the point of sale. The image did more than announce a title: it turned comic reading into a quick, affordable urban pleasure and tied the publication to the everyday rhythm of street buying. Klinger’s design works as a piece of vintage poster history because it presents the magazine as something immediate, familiar, and ready to be picked up for ten pfennig.

Style & Characteristics

A wide black coat dominates the beige field, leaving only a few cut-back details for the face, hat, and hand. Orange carries the figure’s skin and the grip on the cane, while the black lettering settles tightly into the upper left corner. The shapes are flat and emphatic, with no scenic backdrop to soften the impact, so the eye moves straight from the title to the hooked profile. As a fine art print and vintage print, it delivers the force of graphic advertising through minimal color and strong silhouette.

In Interior Design

In a narrow hallway, this wall art can sharpen a pale wall without overwhelming the room. The vertical poster format gives height to a compact space, and the beige ground keeps the black shape from feeling too severe near a console or mirror. Hung in a study, the art print adds a measured burst of early modern character, especially where framed posters and simple furniture leave room for the typography to breathe. It brings a small dose of wit to home decor while holding its graphic line from a distance.